I Andy Warhol (Agosto 6, 1928 – Febrero 22, 1987) metung yang Americanung artist a manimunang kayanib ning pangimut king visual art a awsan dang pop art. Sisyasatan da reng kayang obra ing pamiyugnayan ning pamagbandu king arte (artistic expression), kultura da reng sikat o celebrity, ampong patalastas o advertisement, a mibababo na anyang dekadang 1960. Kaybat ning matagumpeng karera antimong talapaglarawan pangkalakal (commercial illustrator), megi yang artist a sikat at neng kayi kontrobersyal i Warhol. Ing The Andy Warhol Museum king kayang tubung lakanbalen, ing Pittsburgh, Pennsylvania, atin yang maleparan a permanenting koleksyon da reng kayang obra ampong archives. Iti ing pekamaragul a museo king Estados Unidos a makaparikil king metung mung artist.

Andy Warhol

I Andy Warhol, kayabe ya i Archie, neng Jack Mitchell, 1973
Lagyu anyang mibaitAndrew Varchola, Jr.
MibaitAgostu 6 1928(1928-08-06). Mebinyag Agosto 28, 1928
Pittsburgh, Pennsylvania, U.S.
MetePebreru 22 1987 (maki edad a 58)
New York Lakanbalen, New York, U.S.
NasyonalidadAmerican
PropesyonPrintmaking, painting, cinema, photography
PamagsaneCarnegie Institute of Technology (Carnegie Mellon University)
PangimutPop art
ObraChelsea Girls (1966 film)
Exploding Plastic Inevitable (1966 event)
Campbell's Soup Cans (1962 painting)

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  • "A symposium on Pop Art". Arts Magazine, April 1963, pp. 36–45. The symposium was held in 1962, at The Museum of Modern Art, and published in this issue the following year.
  • Bockris, Victor (1997). Warhol: The Biography. New York: Da Capo Press. ISBN 0-306-81272-X. 
  • Colacello, Bob (1990). Holy Terror: Andy Warhol Close Up. New York: HarperCollins. ISBN 0-06-016419-0. 
  • Dillenberger, Jane D. (2001). The Religious Art of Andy Warhol. New York City: Continuum International Publishing Group. ISBN 0-8264-1334-X. 
  • Doyle, Jennifer, Jonathan Flatley, and José Esteban Muñoz eds. (1996). Pop Out: Queer Warhol. Durham: Duke University Press.
  • Foster, Hal, The Return of the Real (ch.5), MIT Press / October Book, 1996.
  • Garrels, Gary (1989). The Work of Andy Warhol: Discussions in Contemporary Culture, no. 3.. Beacon NY: Dia Art Foundation. 
  • Guiles, Fred Lawrence (1989). Loner at the Ball: The Life of Andy Warhol. New York: Bantam. ISBN 0-593-01540-1. 
  • James, James, "Andy Warhol: The Producer as Author", in Allegories of Cinema: American Film in the 1960s (1989), pp. 58–84. Princeton: Princeton University Press.
  • Koestenbaum, Wayne (2003). Andy Warhol. New York: Penguin. ISBN 0-670-03000-7. 
  • Krauss, Rosalind E. "Warhol's Abstract Spectacle". In Abstraction, Gesture, Ecriture: Paintings from the Daros Collection. New York: Scalo, 1999, pp. 123–33.
  • Lippard, Lucy R., Pop Art, Thames and Hudson, 1970 (1985 reprint), ISBN 0-500-20052-1
  • Livingstone, Marco; Dan Cameron and Royal Academy (1992). Pop art: an international perspective. New York: Rizzoli. ISBN 0-8478-1475-0. 
  • Michelson, Annette (2001). Andy Warhol (October Files). Cambridge MA: The MIT Press. 
  • Scherman, Tony & Dalton, David, POP: The Genius of Andy Warhol, HarperCollins, New York, N.Y. 2009
  • Suarez, Juan Antonio (1996). Bike Boys, Drag Queens, & Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema. Indianapolis: Indiana University Press.
  • Watson, Steven (2003). Factory Made: Warhol and the 1960s. New York: Pantheon. ISBN 0-679-42372-9. 
  • Yau, John (1993). In the Realm of Appearances: The Art of Andy Warhol. Hopewell, NJ: Ecco Press. ISBN 0-88001-298-6. 

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